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WCC018: Alyson Grauer (part 2)

WCC018: Alyson Grauer (part 2)


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Part 2 of our interview with actor, author, podcaster, and all around bard Alyson Grauer. You can listen to part 1 of her interview here.


Links

Episode Notes

  • Understanding the fundamentals of story structure is vital to good RPG gamemastering.
  • This can be learned through examination of the media we consume.
  • Roleplaying games offer some of the purest immersive potential. This can help creatives learn to imbue their work with the same sort of quality.
  • Tabletop roleplaying has really expanded the diversity of its core audience
  • Warda is Drew and Alyson’s current big project. It grew out of an impromptu worldbuilding conversation held while waiting in line for Disney World’s Haunted Mansion.
  • Alyson was reluctant at first but the conversation grew and blossomed and turned into the project’s foundations.
  • Two months later they ran a Fate RPG set in Warda, recording its audio. Alyson planned to take notes and write it up as a book later.
  • The book wasn’t working, and James D’Amato from One Shot asked them if they’d be interested in doing livestream gaming on their Twitch channel.
  • They decided to start a new Warda campaign for the stream. They’d been streaming Curiosities every week since.
  • It blew up in a way that they never expected.
  • The audio from the Changes has been released as a podcast.
  • Interactivity has been key to Warda’s success, and is a powerful way to shape your creative efforts and engage with your fanbase.
  • Drew and Alyson are moving to Florida, and have spent October wrapping up Warda with Glimpses, an anthology with different stories that bridge Winds of Change and Curiosities.
  • Winds of Change will be released as a podcast when the patreon reaches the $300 milestone.
  • They plan to recruit a new cast for further Warda podcasts in Florida.
  • Final message: There’s no one way, no single right way, to do anything. Give yourself permission to break out of your box.
WCC017: Alyson Grauer (part 1)

WCC017: Alyson Grauer (part 1)



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Alyson Grauer is an author, actor, podcaster, and ukulele bard who has been based out of Chicago for the last decade or so, but is soon to relocate to Orlando, Florida. Her novel, “On The Isle of Sound and Wonder” was released in 2014, she has several published short stories, and has written pieces for a handful of RPGs and online publications over the years. She is an audiobook narrator, blogger, amateur photographer, and dreamer of big dreams. Her current project is an original fantasy world-turned-live stream-turned-actual play podcast, Warda: an Edwardian fantasy world of fey races, social intrigue, and class struggles. Warda is co-created between Alyson and her husband, GM/writer/actor Drew Mierzejewski.


Links

Episode Notes

  • I reviewed Alyson’s novel On the Isle of Sound and Wonder in 2014. It’s a great piece of Shakespearean steampunk fantasy fiction.
  • She’d originally written it for National Novel Writing Month, and when the editors of an anthology she’d contributed to asked her if she had any novels to publish, she went with developing it for publication.
  • Following that she suffered through a long period of imposter syndrome where nothing has felt like something she could work on.
  • This June she broke out of that with a 45,000-word novel.
  • It’s important to cultivate a support system who will be objective and honest with their criticism.
  • Her husband Drew is an excellent supportive creative partner.
  • If you find someone who does work that you like, you will end up respecting their opinions more.
  • Managing your priorities is a vital skill, not just for creatives, but for any adult.
  • You can always go back to unfinished projects. They don’t have expiration dates.
  • Unfinished projects are not a waste of time. You learn from them.
  • Self-care is important.
  • Alyson didn’t know anyone who was into role playing games until college.
  • Her first experiences didn’t go well because the established group didn’t teach her anything about the game.
  • A few years later she tried again and had an excellent time, but she didn’t really get into it until she started dating Drew in 2014.
  • She met former guest James D’Amato of the One Shot Podcast shortly after that.
  • One of the highlights was the episode where they played Dogs in the Vineyard, a favorite of many listeners.
  • Part 2 of Alyson’s interview will air in two weeks.
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WCC 003 CJ Julianus

WCC 003 CJ Julianus



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C.J. Julianus is a veteran actor, speaker, and theatre director, a tireless champion and performer’s advocate dripping with altruism and self-deprecation.

Show Notes

I’ve personally worked with CJ on multiple projects, and have learned a lot from the experience. Give a listen, and you will too.

Like this episode? Subscribe, rate, and review it on iTunes. If you appreciate what we’re doing, please consider supporting us through the Patreon.

 

WCC 001 Ruth Kaufman

WCC 001 Ruth Kaufman



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Ruth Kaufman is the Amazon bestselling author of the Wars of the Roses Brides trilogy (At His Command, Follow Your Heart and The Bride Tournament) and My Once and Future Love. Accolades include 2016 Booksellers Best Award Best Historical and Best First Book winner and Romance Writers of America® Golden Heart® award winner.

An actor, storyteller and speaker with an M.S. and J.D, Ruth’s credits include independent feature films, web series, pilots, national TV commercials and hundreds of voice-over projects.

Links

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Show Notes

We launch Working Class Creatives with an interview of author and actor Ruth Kaufman. I’ve had the pleasure of working with Ruth on several audiodrama projects, including the production of Synesthesia Theatre’s Cold Reboot, where she put her excellent vocal skills to work recording the majority of artificial intelligence-delivered lines. It was a joy to have her as my first guest, and I look forward to working with her again in the future.

  • Versatility brings creative professionals more work and more opportunity.  Ruth’s career is 50% acting and 50% writing. The acting is split evenly between voice acting and live action.
  • Ruth prefers live auditions to self taped audition; self-taping provides more scheduling freedom, but live auditions allow you build relationships and get feedback.
  • She does not have a day job. A run of slow weeks makes it hard to sustain the process; you have to be self-driven to keep getting things done.
  • Self confidence is important, but you need to have faith that other people will believe in your work. These are elements you do not control.
  • Changes in Amazon’s Select program have made marketing books more difficult. Reviews are also harder to come by.
  • There are a lot of marketing choices that need to be made and evaluated every day. Self-driven creatives don’t have anyone else to rely on, and ultimately are responsible for all these choices.
  • Theatre experience is valued by casting directors, but does not itself bring in much money.
  • Most people don’t understand the nature of voiceover acting. There’s more than commercials: e-learning, phone prompt work, etc.
  • Vocal skill and quality is less important than personal discipline to find work and get clients, and being able to read the clients to deliver the copy they way they want.
  • Cartoon voice acting is mostly done on-site in Los Angeles; very little is remote work.
  • Before quitting your day job, use that job’s money to prepare yourself taking classes and covering marketing costs. You will be competing with people who are already established.
  • I have worked with her on several occasions; she voiced the main artificial intelligence in Synesthesia Theatre’s second season story Cold Reboot and in the standalone Simple Harmonic Motion. She was cast in the unproduced web series Sleep Study.

Like this episode? Subscribe, rate, and review it on iTunes. If you appreciate what we’re doing, please consider supporting us through the Patreon.